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Showing posts with label zazzle. Show all posts
Showing posts with label zazzle. Show all posts

Me Make Monster! Launches


Click to make some monster stuff.

I've launched a new project - a new venture, if you will - and it's called Me Make Monster! I'll create a more detailed blog post in the future, but for now I invite you to check it out and play around with it. And hey, if you have a kid - especially boys 7-10 - and you get them to check it out, I'd be especially interested in what they have to say.

I've kept the purpose of the site very simple - you make a monster out of various parts, name it, and then you apply your finished monster to a variety of products on Zazzle. The products are created on the fly using Zazzle's API, which imposes a high-res image (generated from the vector monster parts in Flash) and adds it to templates. That was certainly not the fun part of this project, but working it out meant a very smooth handoff from the MMM site to Zazzle, which will hopefully entice customers to make a purchase.

As far as the monster is concerned, you can select pieces for the head, eye brows, eyes, nose, mouth, ears, body (really the torso), arms, legs, and "extra", which can be a tail, wings, and other stuff that appears behind the monster - essentially attached to its back. For some parts (eyes, brows, nose, mouth, ears) there is a blank option - essential for creating some specific monsters, like a Mummy - Mummys don't have noses, in case you didn't know.

You can also select the color (one color per monster only) and a texture (which can also be blank). For each piece except the body/torso, you can enlarge or shrink that piece, and move it up and down - all within certain tolerances. There's also a Reset button that brings it back to its base position and size, and a Random button that selects a random body part, size, and position. I've also added Reset and Random buttons for the full monster - clicking the Random All button is a great place to start - you can keep going until you see a monster you like, then jump in and start tweaking it.

Something I wrestled with was hair and clothes. At first I was going to exclude both because of technical resasons - I wanted the body parts to be varied, so I knew Frankenstein's Monster hair wouldn't fit on a Dracula-style head. Same thing with clothes. But I eventually I decided I really wanted to add those features - I couldn't make all the kinds of monsters I wanted to without them. So I created those functions, but as purely on/off options - each head and body part has one discrete hairstyle and clothing option. That way I don't have to worry about elements fitting - or not fitting.

I thought about going with a sequential setup - like Mad Men Yourself, where you select one body part at a time, and move forward and back. This may have been easier for the core demographic I'm targeting (boys 7-10) but it also slows things down, and because it doesn't present all of your options at once, it can be less satisfying to use. We'll see - I've got some beta testers playing with the site now - hopefully their feedback on the interface is encouraging. I trust 'em.

There were some technical hurdles to overcome (and some I'm still overcoming) but I wanted to get the site up and running first, then start cleaning things up. So - it's up! Check it out if you're into monsters (is anyone not into monsters?!) and let me know what you think.

www.MeMakeMonster.com

MMC Lifestyle Coaching


This logo project came from a woman who had started her own lifestyle coaching consultancy. You want to improve your career, your social skills, your love life? You call her, and she helps you create a plan, then works with you over the course of several weeks or months to execute that plan. At least she did - it looks like the website is no longer live.

My client wanted her business's logo to show the qualities of strength, growth, power and potential (makes sense, right?). The company name, as you may have guessed, was based on her initials. I did some sketching and type work in Freehand, and came up with five original concepts for her:




This first one was a little impractical - that hard edge on the right, where the "M" and "C" hit, creates a nice opportunity to work with the negative space on other uses (business cards, letterhead) but without something to the right to give it balance, it looked too heavy on the right - and with something to the right, like the "Lifestyle Coaching" descriptor, it was too linear and would take up too much space or require it to be significantly shrunk to be used.




This second option came from some sketching. I sketched a kite, then drew two lines symbolizing gusts of wind lifting it up (get it? potential and growth?). The gusts were initially a second color and they looked harsh and heavy (I'm pretty sure wind is not supposed to be heavy) so instead I cut them out of the kite shape, adding little serify-shapes at the kite's edges to give the gusts a little more emphasis. The client liked it - she also pointed it, it looked like three cats. Nothing wrong with that, though.




This third concept was a pretty straightforward representation of power - probably a bit too straightforward, and either the client or I (can't remember), after reviewing it, felt it looked too masculine. It probably needed more subtlety, too.




This one was meant to show growth - I was thinking of Best, that chain of stores that went out of business about ten years ago. It's nearly impossible to find a logo - googling "best" plus "retail" or "store" just brings up lots of "Best Buy" images. But I remember seeing that logo when I was younger and thinking it was weird - each letter was a little bigger than the next. Then I read an interview with the designer, who said that was meant to show the quality of "best" - the "T" was the largest, and therefore (I assume) the best letter in the logo. Never noticed that before. I think it worked better here, with the two M's - the second M was the improved version of the first. That kind of left the C stranded, though - and the colors wound up being too feminine. I could have changed the color scheme, but that wasn't necessary because the client liked this concept most of all:



That doorway in the space between the serifs won her over, and this is the logo she chose. I was cool with it - I think it represented her company best (ha ha). Her only request was to darken the blue, which I did (see the top of the post). And then we were off to the races (never spoke or typed that phrase before - it feels weird).

After we finalized the logo, she applied it to the website (which I didn't design), and I developed business cards and a letterhead template for her. Here's the card:



Such a formal logo seems to require, to me at least, a centered treatment. Or, at least, you can't go wrong with centering. As I always do, I provided her with logo files of different file formats, resolutions, and color styles - a two-color version and an all-black version. I believe she used the all-black version for t-shirt embroidery, though she had it stitched in white on blue shirts, which looked pretty sweet.

When I opened my Zazzle store a year ago, I started looking at all of these unused logo options I'd created over the years. Since the client only pays for overall development and the buyout of the final logo, but not the unused options, I'm free to use these as I please - and I have. The type-based logos obviously are too specific to work, but the image-dependent concepts were cannibalized for business card templates and other products.

I think Zazzle's strongest feature is its ability to allow customization to its products through a very user-friendly interface. And while that feature works well on t-shirts, hats, bags, and other promo-type products, I find it's most useful on business card templates.

The way it works is, store owners like me set up card templates. I upload, size and position the image, then set up the lines of text I'd like to include. The typeface, color, size, position of the text are defined by me as well. Finally, the templates are tagged with keywords like "growth", "strength", "potential" - words appropriate to the design that help potential customers find a template that suits their needs.

Once a customer finds a card template they like, they fill in their information in a form field and the thumbnail of the card is updated on the fly. This is very helpful - the customer instantly sees exactly how their final card will look. If it's allowed by the store owner, they can delete text fields, move and resize the logo, pick a different typeface and color - but my experience is, most of the users trust the design and use it pretty much as is. If they were interested in designing their own card, they'd probably have done that instead. Maybe they even tried to do so in Word - if they did, my guess is they ran away screaming.

There's an ethical debate in the design community about these kinds of templates. Some designers say that providing custmoers with pre-made options that they can buy in (for example) 100-pack for as little as $20 or $30 plus shipping (the price depends on the percentage the store owner sets - I set mine at 30%, in case you're curious) impacts the need for design services. Horse pucky, I say - I can virtually guarantee you that anyone paying such a tiny amount for a card with a pre-made logo is not going to consider spending upwards of $2000 for a full identity design. It's inconceiveable (just watched The Princess Bride last week - couldn't help it).

As an example, my biggest seller by far is a fitness logo targeted at personal trainers - sometimes I sell a couple batches per day. I very much doubt that a personal trainer working out of a gym with a handful of clients, is going to want or need to contract the services of a designer for their logo and identity system. Maybe a few superstar trainers will go that route, or those expanding their services - but for the most part, the people who use these templates are happy with something that looks nice and represents them well.

The downside for these customers is that anyone else in the world - even their competitor in the same city - could be using that same template. And they don't have the ability or right to use the logo anywhere on their own - they're only purchasing the finished cards - nothing more. If they were to scan the card and use the logo? Well, for one it would look horrible. And it would also be a legal violation of my rights. That would be bad - I hope it never happens, though I doubt I'd find out about it if it did.

And not to toot my own horn, but I haven't seen anyone else use a Print On-Demand site to create a full line of customizable products with the same images, as I've done. Maybe I just haven't run across them yet, but I do a lot of browsing on Zazzle. Each of the logos in my Business Products product line is available on t-shirts, baseball caps, canvas bags, mugs, keychains, buttons, mousepads (do people ever get tired of giving away mousepads?), and the card templates themselves. This way, a small business owner can get a few customized shirts for themselves and their employees (if they have them), or they can buy the other items for office use or for promotional giveaways. It works out nicely - I've spent many hours setting up all of those templates, but now they're available for purchase - and I have sold quite a few. Passive income is nice.

So here are two of the unused designs from this project, transformed into business card templates. At this point, I've sold a few of the lightning bolt template, but none of the kite. Maybe it's too abstract for people, even though I mention the wind gusts in the item description. Perhaps I should market it to cat lovers instead.


Kite/Wind Business Card Template
on Zazzle


Lightning Bolt Business Card Template
on Zazzle

I Am All These Things And More


This piece started out as a client project that just didn't pan out. Once of the agencies I work with wanted to rebrand themselves, or really to create a secondary site that they could show to people in the video game industry that they were trying to woo as clients - a site that would be much more fun and irreverent than their existing site, which was traditional-looking and catered to their more conservative clients.

The agency described their plant to me, and I began working on the piece without any kind of formal agreement, which was not smart. It was a handshake kind of deal - "Here's what we'd like to do - an Otaku-influenced site - do you have anything you can show us in this style?" I didn't, but just thinking about it inspired me, so I started drawing in my favorite vector program, FreeHand. Within half an hour, I had a ninja, and I liked that ninja. I kept building from there.

I was working on my It Must Be Me book illustrations during this same period, and I enjoyed the challenge of working in that style - conveying the different characters in simple geometric shapes. Sometimes I feel almost guilty, creating pieces like this with so little detail - but whatever speed comes from the lack of complexity is often made up for in the time required to get the shapes that are there just right. I kept these colors desaturated as well, and I gave each of them a radial gradient in one or two places, to give their forms a sense of dimension. Background strips were added, each a little thinner than the characters' widths, so the six dudes could pop forward a bit.

And then nothing happened. The agency absolutely loved the images, which originally didn't have their descriptions beneath them. Each of the six characters were meant to be animated, and when clicked the backgrounds were to expand, bringing up one of six different areas of this new website. But the agency wasn't ready to commit to launching the new site (and as far as I know, three years later, they never did), and though I was disappointed, it was my fault - they were so enthused to get started, that I let myself get sucked in, moving forward without good reason. My bad.

A year or so later, I started putting up my Zazzle store, and revisited the image. I thought it would make a fun t-shirt idea, and since no one had paid for or used the piece, it was mine to use however I wished. I came up with the title "I Am All These Things And More" to tie the six characters together, added the descriptions below, and posted it for sale. I think I sold my first shirt in an hour. I should have known - people like ninjas, people like pirates, but combining those two characters with the other four seemed to be a winning combination. Lesson learned. It's now one of my top selling items. I've even sold one to someone named Esmaeil in Falun, Sweden. I hope he/she is wearing it - maybe even right now - and feeling like a Pirate, Clown, Viking, Robot, Ninja and Monster, all at once.


I Am All These Things And More on Zazzle

Skreened Shop


I have shops on three Print On-Demand sizes - CafePress, Zazzle, and (just recently) Skreened, which I've heard great things about.

So far, I've never sold a product on CafePress - maybe the marketplace is just too crowded. I sell products on Zazzle almost daily, which I attribute to the customization options they give you (my fitness business card templates are my top seller by far). And I've just put up my Skreened store, and wound up selling one product only one day after it was online.

After the tedium of setting up shops on CafePress and Zazzle (not their faults - they both offer a wide array of products that require lots of size and positioning tweaks, and different images are usually required for their dark clothing) I wasn't ready to set up another shop, but Skreened's ethics (no sweatshop labor, environmentally-friendly shirts) won me over. Plus, they only offer light colored shirts and a canvas bags, so the shop took just a couple hours to get up (even with over 40 designs) due to the limited product categories. You can't even customize the look of your shop - who would have thought that was a benefit?

My Skreened Shop